The sculpture's white globular form - at once floating freely and trapped in a cage - and the enigmatic segment below it, all evinced the dream-like and erotic qualities that the Surrealists adored. Despite this association with Breton's group, critics have also associated the sculpture with the ideas of Breton's rival, Georges Bataille. It has been argued that the elements in the sculpture are deliberately enigmatic, since while they seem to suggest a sexual act, it is unclear which element is male and which female.
This confusion of categories has been said to encapsulate Bataille's notion of informe , or formlessness. Hands Holding the Void illustrates how Giacometti started to stray from the Surrealists after his brief association with the group. It was created as a monument to the artist's recently deceased father, embracing what the critic Carl Einstein called a "metaphysical realism.
While the Surrealists embraced this work, the figurative elements indicate that the artist was beginning to move beyond them. The multi-figured City Square , while not Giacometti's first foray into the waif-like figures for which he is best known, is a stunning exercise in creating an impression of spacious landscape.
Treading amidst an empty space, the figures - what Sartre called "moving outlines" - seem to rise out of nothing. In a review for The Nation , Fairfield Porter observed, "Giacometti's concern is to place the relationship of man and landscape with the ground. And he further considers man and everything else as having a dual relationship to the environment as a link between the earth and infinity. Although sculpture is the medium for which Giacometti is best known, he was also an accomplished painter and draughtsman.
This oil work shows his skill at creating an impression of profound depth on a flat surface. The subject here is the artist's wife Annette, who is composed of the same lines and strokes used to depict the surrounding room, as if she herself were just another object.
Nevertheless, like Giacometti's sculptural stick figures, Annette does subtly emerge from the composition, asserting her humanity amidst the otherwise bland order of the room. Much as some of the leading Existentialist thinkers of the time noted, Giacometti's mature work was an antidote to abstraction.
Perhaps no other writer has better summed up Giacometti's bronze stick figures than Francis Ponge, who wrote in a article for Cahiers d'Art , "Man - and man alone - reduced to a thread - in the dilapidation and misery of the world - who searches for himself - starting from nothing Main menu additional Become a Member Shop. In Tate Modern. In the Studio: International Surrealism Free. In Tate Liverpool.
Whose Tradition? In Tate Britain. Prints and Drawings Rooms 1 artworks by Alberto Giacometti. Read full Wikipedia entry. Artworks Left Right. Alberto Giacometti Standing Woman c. Alberto Giacometti Diego Alberto Giacometti Walking Woman I —3—, cast On display at Tate Liverpool part of Whose Tradition?
Alberto Giacometti Caroline Alberto Giacometti Jean Genet or Alberto Giacometti Hour of the Traces Lang and Jane Lang Davis. Dating from to , the paintings, drawings, and sculptures in Frisson represent mature works and pivotal moments of artistic development from some of the most influential American and European artists of the postwar period.
Photo: Spike Mafford. June 22—October 10, Institut Giacometti, Paris www. Modest, immediate, and direct, drawing was the ideal medium for this period of renewal. The exhibition looks across movements, geographies, and generations to highlight connections between artists who shared common materials and ideas between and October 10, —May 30, Moderna Museet, Stockholm www.
See all Museum Exhibitions for Alberto Giacometti. Alberto Giacometti, Petit homme sur socle , c. Alberto Giacometti, Annette debout , c. Alberto Giacometti, Femme debout , c. About Art interests me greatly, but truth interests me infinitely more.
Twitter Facebook Email Pinterest. You might like Left Right. Introducing Alberto Giacometti Discover one of the great painter-sculptors of the twentieth century. Picture Essay.
Art Term. Sculpture David Sainsbury recalls his teenage experience of sitting for a portrait by Alberto Giacometti in Alberto Giacometti — When Alberto Giacometti met Samuel Beckett From their sense of style, to their late-night run-ins, explore the friendship between the artist and playwright. Shop Left Right. Giacometti hardback Exhibition catalogue by Morris and Fritsch.
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